Der inklusive Blick durch die Kamera : Zu den Filmadaptionen der Kinderromantrilogie um Rico und Oskar

This article deals with the film adaptations of Andreas Steinhöfel’s three Rico &
Oskar children‘s novels (2008–2011). It analyses how these films, directed by Neele Vollmar (2014, 2016) and Wolfgang Groos (2015), employ specific narrato-aesthetic strategies for conveying an inclusive cinematic perspective on a heterogenous society.


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© Peter Lang GmbH Internationaler Verlag der Wissenschaften Berlin 2020

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